The Jeff Kaiser Ockodektet: 13 Themes for a Triskaidekaphobic (PFMCD013)

[playlist ids="381"]
The Jeff Kaiser Ockodektet is:
Eric Barber: Soprano and Tenor Saxophones
Vinny Golia: Saxophones, Clarinets, Flutes
Emily Hay: Flutes
Lynn Johnston: Saxophones and Clarinets
Jason Mears: Alto Saxophone
Dan Clucas/Kris Tiner: Trumpets
Michael Vlatkovich: Trombone
Eric Sbar: Euphonium and Valve-Trombone
Mark Weaver: Tuba
Ernesto Diaz-Infante: Acoustic Guitar
Tom McNalley: Electric Guitar
G.E. Stinson: Electric Guitar, Electronics
Jim Connolly/Hal Onserud: Contrabass
Wayne Peet: Organ, Theremin, Electronics
Brad Dutz: Percussion
Richie West: Drum Set and Percussion
Jeff Kaiser: Conductor, Trumpet

Track List
1. My Uncle Toby’s apologetical oration 6:57
2. Gravity was an errant scoundrel 5:55
3. This sweet fountain of science 8:44
4. The Curate’s folly betwixt them 5:47
5. Devout, venerable, hoary-headed man, meekly holding up a box 4:43
6. The stranger’s nose was no more heard of 1:18
7. Uncle Toby understood the nature of a parabola 4:01
8. The Accusing Spirit which flew up to heaven’s chancery 6:55
9. A thousand of my father’s most subtle syllogisms 7:23
10. His life was put in jeopardy by words 5:44
11. The heat and impatience of his thirst 5:16
12. Nothing but the fermentation 4:11
13. I wish my Uncle Toby had been a water-drinker 6:09
Total Playing Time: 1:13:13

All compositions and arrangements by Jeff Kaiser
©2003 Jeff Kaiser Music, ASCAP
Recorded at Ventura City Hall, Ventura, CA, 9.7.02
Recording, mastering, design, and layout by Jeff Kaiser

“Number helps more than anything else to bring order into the chaos of appearances.”
— C. G. Jung, The Structure and Dynamics of the Psyche

pf MENTUM CD013

PFMCD013

 

The Jeff Kaiser Ockodektet: The Alchemical Mass and The Kaiser / Diaz-Infante Sextet: Suite Solutio (PFMCD019)

[playlist ids="396,393,395"]
The Jeff Kaiser Ockodektet: The Alchemical Mass

The Kaiser/Diaz-Infante Sextet: Suite Solutio

The Jeff Kaiser Ockodektet with The Ojai Camerata

Woodwinds: Vinny Golia, Eric Barber, Jason Mears * Trumpet/Flugelhorn: Kris Tiner * Trombone: Michael Vlatkovich
Tuba: Mark Weaver * Bass: Jim Connolly * Prepared Acoustic Guitar: Ernesto Diaz-Infante * Acoustic Piano: Wayne Peet
Percussion: Brad Dutz * Drum Set: Richie West * Jeff Kaiser: Conductor, Flugelhorn

The Ojai Camerata:
Sopranos: Diane Besocke, Candace Delbo, Eleanor Land,
Laura Johnson-Bickford, Lu Setnicka
Altos: Gwen Erickson, Lisa Gordon, Katherine Halsey,
Holly Mitchem, Zoe Pietrycha
Tenors: Carla Aiello, Jaye Hersh, J.B. White
Basses: Dave Farber, Jim Halverson, Kurt Meyer, Bill Wagner
Dr. Wyant Morton, Director

The Alchemical Mass
Conducted by Jeff Kaiser and Dr. Wyant Morton
1. Introitus 10:28
[Eric Barber, Soprano Sax * Vinny Golia, Sopranino Sax]
2. Kyrie 3:00
3. Collecta and Gloria 2:33
[Kris Tiner, Flugelhorn]
4. Epistola and Graduale 1:44
5. Offertorium 9:03
[Jeff Kaiser, Flugelhorn * Jason Mears, Alto Sax]
6. Ave Maria and Commune 7:16

Kaiser/Diaz-Infante Sextet
Trumpet/Flugelhorn: Jeff Kaiser * Prepared Acoustic Guitar: Ernesto Diaz-Infante
Trombone: Scot Ray * Bass: Jim Connolly * Percussion: Brad Dutz * Drum Set: Richie West

Suite Solutio
7. Part I 2:38
8. Part II 1:25
9. Part III 5:06
10. Part IV 5:49
11. Part V 4:19
Total Playing Time 53:21

All compositions and arrangements by Jeff Kaiser * (C)2004 Jeff Kaiser Music, ASCAP
The Alchemical Mass was recorded 4.26.03 at the First United Methodist Church in Ventura, CA
Recorded, mixed, and mastered by Wayne Peet
Suite Solutio was recorded 2.25.01 at Zircon Skye in Ojai, CA
Recorded by Jeff Evans * Mixed and mastered by Jeff Kaiser
Photographs by Michael Kelly * Design and layout by Jeff Kaiser

The Alchemical Mass is dedicated to Keith McMullen for his friendship and unending supply of prima materia.
In Stercore Invenitur

Liner Notes:

“Obscurum Per Obscurius.”
[Explaining the obscure by the more obscure.]

-Anonymous Alchemical Quote

“It is true that alchemy always stood on the verge of heresy and that certain decrees leave no doubt as to the Church’s attitude towards it, but on the other hand it was effectively protected by the obscurity of its symbolism, which could always be explained by harmless allegory…The alchemists ran counter to the Church in preferring to seek through knowledge rather than to find through faith, though as medieval people they never thought of themselves as anything but good Christians…But in reality they were in much the same position as modern man, who prefers immediate personal experience to belief in traditional ideas, or rather has it forced upon him…For this reason there have always been people who, not satisfied with the dominants of conscious life, set forth – under cover and by devious paths, to their destruction or salvation – to seek direct experience of the eternal roots…”

-C.G. Jung, Psychology and Alchemy

Nicholas Melchior Cibenensis – chaplain and court astrologer to Ladislaus I (King of Hungary and Bohemia) and then Louis II – wrote the text of The Alchemical Mass between 1490 and 1516. Following the death of Louis II in 1526, Cibenensis fled to Vienna…where Ferdinand I would execute him in 1531. The original text is quite long and has been paraphrased for this composition.

Introitus Missae:
Fundamentum vero artis est corporum solutio quae, non in aquam nubis, sed in aquam mercurialem resolvenda sunt, ex qua generatur verus lapis philosophorum. [The basis of the Art is the dissolution of the bodies…]
Versus: Introitus vitrioli, et salis vitri, aequales partes, dans solutionis testimonium: Gloria patri, et filio, per spiritum sanctum.

Kyrie:
Kyrie, fons bonitatis, inspirator sacrae artis, a quo bona cuncta tuis fidelibus procedunt, Eleison.
Christe, Hagie, lapis benedicte artis scientiae qui pro mundi salute inspirasti lumen scientiae, Eleison.
Kyrie, ignis divine, pectora nostra juva, ut pro tua laude pariter sacramenta artis expandere possimus, Eleison.
[Our Lord, fount of goodness, inspirer of the sacred art, from whom all good things come to your faithful, have mercy. Christ, Holy one, blessed stone of the art of the science who for the salvation of the world hast inspired the light of the science, have mercy. Our Lord, divine fire, help our hearts, that we may be able, to your praise, to expand the sacraments of the art, have mercy.]

Collecta:
Deus largitor totius bonitatis, qui maxime in fine temporum; sola tua bonitate et sapientia famulo tuo. N.N. non suis meritis praecedentibus: sed tua ineffabili pietate, et gratia praeveniente, lumen sacrae artis alchemiae inspirasti, praesta quae sumus, ut quod ex tuae maiestatis dono accepit, ad salutem corporis, et animae eius prosit, in ipsoque omnia vitia mortifica, et gratiam virtutis infunde, ut eandem sacram artem solum modo ad laudem, et gloriam nominis tui, et fidei Christianae propagationem, fideliter expendat, per dominum nostrum Jesum Christum, Amen.
[May thy servant N.N. practice the sacred Art of alchemy to the glory of God…]

Gloria in excelsis

Epistola:
O altitudo divitiarum sapientiae, et scientiae Dei.
[O profound, wise and knowledgeable God.]

Graduale:
Surge aquilo et veni auster: perfla hortum meum, et fluant aromata illius.
[Arise north wind, and come south wind, blow through my garden and let the aromatical spices flow.]

Ave Maria:
Salve, O caeli iubar speciosum, mundi lumen radiosum; hic cum luna copularis, sit copula martialis, et Mercurii coniunctio. Ecce res est una, radix una, essentia una…qui est lapis philosophorum. Hic est thesaurus thesaurorum, summa medicina philosophorum, caeleste secretum antiquorum, beatus, qui hoc invenerit.
[Hail beautiful lamp of heaven, shining light of the world! Here art thou united with the moon, here is made the band of Mars and the conjunction of Mercury. And behold it is one thing, one root, one essence…this being the stone of the philosophers. It is the treasure of treasures, the supreme philosophical potion, the divine secret of the ancients. Blessed is he that finds such thing.]

Commune: Regem nostrum venientem ex igne, illuminatum, et diademate coronatum, ipsum honorate in perpetuum. Amen.
[Glory be to our king who comes out of the fire, who is illumined, and crowned with the diadem, for ever and ever. Amen.]

I wish to thank Dr. Wyant Morton and the Ojai Camerata for commissioning this work and The City of Ventura’s Office of Cultural Affairs for a grant to fund The Jeff Kaiser Ockodektet. I would also like to thank Adam McLean, author of over 40 books on alchemical and hermetic literature, who took the time out of his busy schedule to send me the complete Latin text of The Alchemical Mass with translation. Visit his web site at: www.levity.com/alchemy/ for text and art on all facets of alchemy.

pfMENTUM CD019

PFMCD019

Jeff Kaiser / Andrew Pask: The Choir Boys (PFMCD024)

[playlist ids="410,408"]

The Choir Boys
Jeff Kaiser • Andrew Pask

The Choir Boys (Jeff Kaiser and Andrew Pask)

Jeff Kaiser: Trumpet, Quarter-Tone Trumpet, Flugelhorn, Live Processing
Andrew Pask: Clarinet, Bass Clarinet, Soprano, Alto and Tenor Saxophones, Bass, Penny Whistle, Live Processing

Visit The Choir Boys home page at:
www.trippyhorns.com

Album info:

1. Wheeling Rebus 9:24
2. Dim Effigies 9:37
3. Carbon Icon 6:36
4. The Variability of Stammering Arrows 15:09
5. Blue Air Habit 17:31
6. Tumbling Abstention 5:47
7. Reliquaries 9:44
Total Playing Time: 73:48

(c)2005 Jeff Kaiser Music, ASCAP and Kaleidacousticon, ASCAP
All music recorded live in the studio with no overdubs or pre-recorded samples
Recorded by Andrew Pask, October 16 – 17, 2004 in Los Feliz, CA
Mixed and Mastered by Jeff Kaiser, December 4 – 5, 2004 in Ventura, CA
Photography by Michael Kelly • Relics from the collection of Michael, Gisele and Devin Kelly
CD art, design and layout by Jeff Kaiser
For more information:
pfMENTUM • PO Box 1653 • Ventura • CA • 93002

pfMENTUM CD024

PFMCD024

Jeff Kaiser and Andrew Pask with Steuart Liebig and G.E. Stinson: The Choir Boys with Strings (PFMCD037)

[playlist ids="439"]

The Choir Boys with Strings
Jeff Kaiser: Trumpet, Quarter-Tone Trumpet, Flugelhorn, Electronics
Andrew Pask: Clarinet, Bass Clarinet, Alto Saxophone, Bass Penny Whistle, Electronics
G.E. Stinson: Electric Guitars, Electronics
Steuart Liebig: Contrabass Guitars, Electronics

Visit The Choir Boys home page at:
www.trippyhorns.com

1. Needlework Alice 11:59
2. Impromptu Lateral Drop 7:26
3. Tobacconist from Rimini 10:59
4. Frenchwoman Luggage Cart 8:39
5. Adulterous Dishwasher 9:40
6. Definitely Jack 10:23
7. Rest of the Skeleton 15:12
8. Wir Sind Hier 5:28

The music was created in two continuous suites.
Track numbers have been added for convenience.
Suite One: Tracks 1-5. Suite Two: Tracks 6-8.
Total Playing Time: 79:46

All music © 2006, Jeff Kaiser Music, ASCAP and Kaleidacousticon, ASCAP
Digital multitrack recording by Wayne Peet, October 5, 2005 at Ventura College Theater, Ventura, California
Art, Layout, Mixing and Mastering by Jeff Kaiser, January 2006
pfMENTUM • pfmentum.com • Box 1653 • Ventura • CA • 93002

Special thanks to Robert Lawson and Ollie Powers for the invitation to perform,
and to Roger Meyer for staging and lighting the show.

pfMENTUM CD037

PFMCD037

Jeff Kaiser / Tom McNalley: ZUGZWANG (PFMCD038)

[playlist ids="441"]
Jeff Kaiser: quarter tone trumpet, electronics
Tom McNalley: electric guitar, electronics

1. carbon fianchetto 12:44
2. opening demand 7:28
3. systematic imbalance 7:30
4. both varied situations 7:54
5. organic symmetry 4:16
6. abbreviated structure 4:08
7. luft swapping 4:50
8. zwischenzug 1:36
9. aristotelian blockade 11:14
10. liquid compensation 11:00

Total Playing Time: 72:40
All compositions ©2006 Jeff Kaiser Music, ASCAP, and Tom McNalley Music, ASCAP
Recorded live (no overdubs) 7.15.05 and 8.7.05 at pfMENTUM World Headquarters, Ventura, CA
Recorded, mixed, mastered and designed by Jeff Kaiser

pfMENTUM CD038

PFM038

Jeff Kaiser and Gregory Taylor / The Desert Fathers: Coptic Icons (PFMCD050)

[playlist ids="467"]
The Desert Fathers

Jeff Kaiser: Quartertone Trumpet, Laptop
Gregory Taylor: Laptop

ONLY AVAILABLE DIGITALLY

1. Visions (Saint Anthony) 31:14
2. The White Monastery (Saint Shenouda) 26:02

Recorded direct-to-disc 4.27 and 4.28.07 at the Boise Experimental Music Festival
CD art, mix and mastering by Jeff Kaiser
© 2007, Gregory Taylor, BMI and Jeff Kaiser Music, ASCAP
For more information:
www.pfMENTUM.com • PFMCD050

The Desert fathers—a collection of ascetics, monks, and hermits—fled the persecutions and chaos of the Roman Empire in the third century AD and settled in the deserts of Egypt, seeking safety and solace in loose-knit refugee communities at the margins of civilization. When the persecutions stopped, they remained-drawn as individuals by the solitude, privation, and self-discipline borne of desert life.

Born the son of wealthy landowners, orphaned, and later disciple of a local ascetic, St. Anthony the Great is noteworthy as the first to actually pursue an isolated (anchoritic) life in the desert itself. His biographies describe in vivid detail the afflictions and visions of his isolation—torments from which he emerged enlightened, serene, and healthy. After this, he moved further into the wilderness even as his fame grew, founding his own monastery where he dedicated himself and his disciples to prayer and the discipline of manual labor.

Shenouda the Archimandrite first visited the White Monastery (so named for the color of limestone of its outer walls) located near the Upper Egyptian city of Souhag as a boy. He remained there as a result of a vision granted to the monastery’s abbot, and eventually served as its abbot during its heyday as a thriving ascetic community.

Anthony and Shenouda were both canonized after their deaths as saints in the Coptic Orthodox Church. As monks, they combined their own individualized practices with regimens attuned to their lives in a desert environment and introduced elements of shared communal practice (the sharing of meals and liturgical practice) into their communities that laid the foundations for what we now think of as Christian monasticism.

pfMENTUM CD050

PFMCD050

Jeff Kaiser and David Borgo: KaiBorg / Harvesting Metadata (PFMCD058)

[playlist ids="484,486,487,488,490,492,493,494,495,497,498"]
KaiBorg

David Borgo: soprano and sopranino saxophones, chalumeau,
dudukophone, whistlophone, mijwiz, slide whistle and laptop

Jeff Kaiser: quartertone trumpet, flute, voice and laptop

1. Harvesting 1:24
2. Flow Control 8:19
3. Maladaptive Optimization 5:32
4. Nodular 2:41
5. Exception Conditions 5:28
6. Threshing 2:46
7. Resumption Tokens 4:48
8. Postural Schema 4:05
9. Hypernymic Entailment 16:56
10. Intereaction 4:15
11. Reaping 4:47

(Click on any track for excerpt)

Recorded by Tom Erbe, 1-2 July 2009, Studio A, University of California San Diego
All performances are improvisations with live electronic processing
Mixed and mastered by Jeff Kaiser and David Borgo, November 2009
All music © 2010 by David Borgo Music, ASCAP and Jeff Kaiser Music, ASCAP
For more information:
kaiborg.com
davidborgo.com
jeffkaiser.com
pfMENTUM CD058

PFMCD058

Jeff Kaiser / Tom McNalley / Ted Byrnes: External Logic Machine (PFMCD066)

[playlist ids="516"]
Jeff Kaiser • Tom McNalley • Ted Byrnes

ONLY AVAILABLE DIGITALLY:

External Logic Machine
Jeff Kaiser: Bb trumpet, quatertone trumpet, flugelhorn
Tom McNalley: Acoustic guitar, tricone resonator guitar
Ted Byrnes: percussion

1. A Disciplinarian Society
2. Attention to the Locality
3. Blood and Genes
4. Cooperation Among Productive Sites
5. For an Entire Working Life
6. Frontier and The Idea
7. He Gave Us A Toolbox
8. Hibernation
9. In Order to Preserve Order
10. Particularly Clear in the Case
11. Potential Rationale
12. The Disequilibria of Circulation
13. Thousands of Daily Practices

Recorded by Jeff Kaiser and Ben Power 3.23.2011 at the ICAM Studio, University of California San Diego
Mixed and Mastered by Jeff Kaiser
Design and layout by Ted Byrnes and Jason Tauritz

All compositions ©2011 Jeff Kaiser Music, ASCAP; Tom McNalley Music, ASCAP

pfMENTUM CD066

PFMCD066

Jeff Kaiser and Gregory Taylor: The Desert Fathers / CHARISMATA (PFMCD070)

[playlist ids="524"]
The Desert Fathers

Jeff Kaiser: quartertone trumpet, voice, laptop
Gregory Taylor: laptop

1. Sapientia 21:16
2. Intellectus 10:06
3. Consilio 8:25
4. Fortitudo 9:48
5. Scientia 12:57
6. Pietas 4:37

All music © 2012
Jeff Kaiser Music, ASCAP and
Gregory Taylor, BMI

Recorded live in the studio August 2-8, 2010 at STEIM, Amsterdam, NL
Mixed and Mastered April 2012 in San Diego, CA
Engineered by Jeff Kaiser

Graphic design by Ted Killian

The Desert Fathers are grateful to STEIM for our artists’ residency.
Thank you so much for all that you give.

pfMENTUM CD070

PFMCD070