Do we look like pop musicians in this pic? A wee bit too much time on my hands this vacation… Click below to hear a mix of our Oakland Gig: Maximus P Live!(Barry Threw and Jeff …
pfMENTUM Selected Reviews
Links: About pfMENTUM/Artists pfMENTUM Recordings: CDs, LPs, DVDs archival information pfMENTUM Cover Art Archive pfMENTUM Selected ReviewspfMENTUM Selected Reviews Here is a partial list of pfMENTUM selected reviews. We are still adding to it, please help …
pfMENTUM
Links: About pfMENTUM/Artists pfMENTUM Recordings: CDs, LPs, DVDs archival information pfMENTUM Cover Art Archive pfMENTUM Selected ReviewspfMENTUM: Dedicated to creative music—and the musicians that make it. pfMENTUM (pronounced, pee-eff-mehn-tuhm) began in 1995 as a newsletter associated …
pfMENTUM Recordings Archive
Links: About pfMENTUM/Artists pfMENTUM Recordings: CDs, LPs, DVDs archival information pfMENTUM Cover Art Archive pfMENTUM Selected ReviewspfMENTUM Recordings: CDs, LPs, DVDs archival information Archive for information about the recordings documented on pfMENTUM, including CDs, DVDs, vinyl …
The Desert Fathers: Jeff Kaiser and Gregory Taylor
The Desert Fathers: Jeff Kaiser and Gregory TaylorIn Concert at STEIM Music Charismata by The Desert Fathers The Desert Fathers: Coptic Icons by Jeff Kaiser and Gregory Taylor In the Studio at STEIM (Amsterdam)In the Studio …
The Choir Boys: Jeff Kaiser and Andrew Pask
The Choir Boys! Jeff Kaiser and Andrew PaskEveryone’s plugged into something and the result is an urgent, witty and often moving collage of acoustic and electronic sound which doesn’t draw attention to itself, but lets some …
Selected Press: 1996-2006
Zugzwang (with Tom McNalley) Sinister, strident and glacial sounds emanating from sunny Ventura, California. Kaiser uses quartertone trumpet, McNalley electric guitar. Both add electronics to distort, extend and transmute their instruments. Zugzwang communicates a taste for …
Archived Events: Dec. 1, 2005 – June 7, 2014
Selected archived events from 2005-2014.
About
Jeff Kaiser’s solo performance was “a manic, hallucinogenic joyride through time, space and tonal distortions. He took some of the extended techniques of Lester Bowie and Bill Dixon, and stretched them past the breaking point. He would bend …