pfMENTUM Recordings Archive

Links: About pfMENTUM/Artists pfMENTUM Recordings: CDs, LPs, DVDs archival information pfMENTUM Cover Art Archive pfMENTUM Selected ReviewspfMENTUM Recordings: CDs, LPs, DVDs archival information Archive for information about the recordings documented on pfMENTUM, including CDs, DVDs, vinyl …

Duo Cataclysma: Jeff Kaiser and Seth Andrew Davis

Duo Cataclysma… is the electro-acoustic duo of Jeff Kaiser (trumpet, flugelhorn, and laptop/electronics) and Seth Andrew Davis (electric guitar, laptop/electronics). The group focuses on improvisation and interactive electronics with live signal processing and virtual/artificial/robot agents. The …

pfMENTUM Selected Reviews

Links: About pfMENTUM/Artists pfMENTUM Recordings: CDs, LPs, DVDs archival information pfMENTUM Cover Art Archive pfMENTUM Selected ReviewspfMENTUM Selected Reviews Here is a partial list of pfMENTUM selected reviews. We are still adding to it, please help …

pfMENTUM

Links: About pfMENTUM/Artists pfMENTUM Recordings: CDs, LPs, DVDs archival information pfMENTUM Cover Art Archive pfMENTUM Selected ReviewspfMENTUM: Dedicated to creative music—and the musicians that make it. pfMENTUM (pronounced, pee-eff-mehn-tuhm) began in 1995 as a newsletter associated …

Eugene Chadbourne penned artist biography…

I was recently reminded of this…my bio on allmusic.com. It is not up-to-date…but I love Chadbourne, thanks, Eugene! http://www.allmusic.com/artist/jeff-kaiser-mn0000227053/biography **************** Artist Biography by Eugene Chadbourne Jeff Kaiser is a composer, trumpet player, conductor, and private music instructor …

Selected Press: 1996-2006

Zugzwang (with Tom McNalley) Sinister, strident and glacial sounds emanating from sunny Ventura, California. Kaiser uses quartertone trumpet, McNalley electric guitar. Both add electronics to distort, extend and transmute their instruments. Zugzwang communicates a taste for …

About

Jeff Kaiser’s solo performance was “a manic, hallucinogenic joyride through time, space and tonal distortions. He took some of the extended techniques of Lester Bowie and Bill Dixon, and stretched them past the breaking point. He would bend …