Nice blurb in Eugene Weekly

From the Eugene Weekly:

Welcome to the Machine

Barry Threw’s laptop-generated soundscapes immerse listeners in ominous clouds of music occasionally lit by bolts of electronic sound. It’s no surprise that the San Francisco-based electronic musician often works with visual art installations. Threw has collaborated with Southern California trumpeter/composer Jeff Kaiser, who’s also played with important avant improv musicians such as Eugene Chadbourne and Emily Hay and written and performed music for films and TV. His microtonal music drifts toward ambient, with strange ripples and bursts of sound flashing through oddly compelling textures. Eugene’s own Warning Broken Machine wrings subtle beauty from ostensibly non-musical sources such as amplified stones, glass and found pieces of metal. Springfield’s [view] uses obsolete medical equipment such as muscle stimulators as sound sources. Though they come from disparate origins — improvisational music (so-called “creative” jazz, free jazz and non-jazz-based improv); the digital music cybersphere; ambient and noise bands — all use mechanical or electronic means to create fascinating soundscapes (some gentle, some searing) in which texture and atmosphere take precedence over traditional musical means such as melody and rhythm. They should make DIVA an ear- and mind-expanding place to be this Saturday. Jeff Kaiser, Barry Threw, [view] and Warning Broken Machine perform at 8 pm Saturday, Aug. 2, at DIVA. $5. — Brett Campbell

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