Smaple-Palyer Smaple is a basic sample player that allows you to easily and quickly add sonic backgrounds by dragging and dropping files live, randomize their occurrence, change their pitch and direction, or: tie them to a …
Videos
Videos Please take a moment to subscribe to my YouTube Channel by clicking here. If you are interested in Vimeo, please click here. (Please note I am more active now on YouTube.) I have embedded a …
Max Native Abstractions for Ableton Push 2
I have been using Ableton Push in my duo with Trevor Henthorn (Made Audible using Ableton Live) for around a year now, and absolutely loving it in the studio and on stage. I decided to incorporate Ableton Push 2 into my Max (Cycling74.com) …
Scores
Scores by Jeff Kaiser Most of the following scores use a hybrid notation that combines traditional and graphic elements. Several of the scores are for large ensemble: 132350 and 13 Themes for a Triskaidekaphobic are modular …
TPT+TPT in Baltimore…March 21, 2015
One of those rare chances to catch TPT+TPT! (Jeff Kaiser and Dave Ballou) http://tpttpt.com March 21, 2015 The Red Room at Normals Books and Records 425 E. 31st Street Baltimore Doors open at 8:30 Admission is …
Max
KaiserLooperjk.pushjk.softstepKaiserLooper2-2KaiserLooper2-3jk.reverserKaiGen-M2KaiGen-Smaple-Palyer2KaiGen-R2KaiGen-I-Ching2KaiGen-C2-v2The place where Jeff Kaiser started out isn’t nearly as interesting as where he’s going, and where he’s tarried along the way; Classically trained as a trumpet player (and the owner of one sweet quarter-tone horn, …
Selected Press: 1996-2006
Zugzwang (with Tom McNalley) Sinister, strident and glacial sounds emanating from sunny Ventura, California. Kaiser uses quartertone trumpet, McNalley electric guitar. Both add electronics to distort, extend and transmute their instruments. Zugzwang communicates a taste for …
Archived Events: Dec. 1, 2005 – June 7, 2014
Selected archived events from 2005-2014.
About
Jeff Kaiser’s solo performance was “a manic, hallucinogenic joyride through time, space and tonal distortions. He took some of the extended techniques of Lester Bowie and Bill Dixon, and stretched them past the breaking point. He would bend …